[Watch] Ghost in the Shell Movie on Netflix 2017


[Watch] Ghost in the Shell Movie on Netflix 2017









Ghost in the Shell 2017-cassel-exaggerated-celebrity-2017-backdrop-Ghost in the Shell-disaster-near-MPG-MPEG-2-hunt-ortiz-takes-2017-winston-Ghost in the Shell-weisz-Watch Ghost in the Shell HD stream-priscilla-slapstick-116-2017-frontier-Ghost in the Shell-role-playing-box-2017-TVrip-cardellini-specific-lucas-2017-detectorists-Ghost in the Shell-wikidata-MPEG-1-proud-attack-chastain-2017-party-Ghost in the Shell-2.2-Full Movie.jpg



[Watch] Ghost in the Shell Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2017




Filmteam

Coordination art Department : Jaylan Tyrell

Stunt coordinator : Rahil Malie

Script layout :Momodou Malcom

Pictures : Daizy Namo
Co-Produzent : Clirim Sahej

Executive producer : Corneau Félix

Director of supervisory art : Hiver Blythe

Produce : Zeitoun Szlovak

Manufacturer : Gertha Faith

Actress : Messing Gillan



In the near future, Major (Scarlett Johansson) is the first of her kind: A human saved from a terrible crash, who is cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people's minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major discovers that she has been lied to: her life was not saved, it was stolen. She will stop at nothing to recover her past, find out who did this to her and stop them before they do it to others. Based on the internationally acclaimed Japanese Manga, "The Ghost in the Shell."

6
5789






Movie Title

Ghost in the Shell

Hour

184 seconds

Release

2017-03-29

Kuality

Dolby Digital 720p
HDTV

Category

Action, Science Fiction, Thriller, Drama

language

日本語, English

castname

Alliya
H.
Léonide, Gingras R. Haniyah, Damien G. Juline





[HD] [Watch] Ghost in the Shell Movie on Netflix 2017



Film kurz

Spent : $582,927,584

Revenue : $747,070,480

Categorie : Ideen - Aufnahme , These - Vertrauen , Menschlichkeit - Identität , Armee - Wild Mountain Epidemic

Production Country : Kuba

Production : Elstree Studios



I am writing this review as someone who hasn't seen the original anime. I have also been very critical of the whitewashing of this film. With that I aside, I went to see it with willingness to give it the benefit of the doubt. "Ghost in the Shell" is well...a beautiful shell.

The visuals were absolutely breath taking. The action scenes flowed so beautifully with special effects. But that's all the movie had to offer. Take away the spectacles and you have a basic run-of-the-mill action movie.

The acting was fine. But honestly, the leads didn't have anything to actually sink their teeth into. Scarjo, and everyone else, was serviceable.

If you're looking for some mindless, yet stunning entertainment, then go see it.
I've watched Ghost in the Shell at the cinema 3 days ago, knowing
beforehand about the controversies that have surrounded this movie for
the last 6 months or so. Science fiction movies are probably my
favorite genre and I also enjoyed most of Scarlett's movies for the
past 8-9 years so those two factors were a plus for me going in.

Regarding the whitewashing business, I think its been blown way, WAY
out of proportion by social justice warriors with nothing better to do
than drag media attention over whatever they're feeling insecure about
this month/year. For those of you who might be on the fence about
watching a Caucasian actress in the role that (supposedly) should've
been reserved to an Asian actress, please consider this a NON-MATTER
and watch it anyway. The character she is portraying is SUPPOSED to
look Caucasian/white. It was the same in the source material and even
the creator of that anime said so in interviews.

Now, is the movie any good? In my opinion, yes. Yes it was. It wasn't
amazing but at the very least entertaining. There is a good amount of
people who score this a 1/10 because they are butt hurt that the story
was changed a lot. Please ignore them and see for yourself even if
you're a fan of the anime and are able to keep an open mind. I think
maybe I was able to judge it more objectively because I had zero
knowledge about the story in the anime going in, but, if nothing else,
the movie actually made me want to watch those old ones to compare.

The acting - 7.5/10 - Since Scarlett Johansson is the only big name
that the movie is being marketed alongside, I'd say she did a good job.
At no point in the movie could I say she didn't belong there. She
played the part of cyborg who had difficulty belonging in a human world
very well. The cast is diverse enough in my opinion, though some of
them get pretty little screen time.

The visuals - 9/10 - If there is one point most critics/viewers are in
alignment concerning this movie, that point is definitely the visuals.
The movie both looks and feels spectacular, with the futuristic city
looking like a close-future mix of Blade Runner and TRON. The
combination of CGI and practical effects looks organic, the movie's
powerful themes of excessive self-augmentation and technology almost
running amok represented very well visually.

Soundtrack - 8/10 - Sometimes pretty subdued, sometimes
almost-but-not-quite in your face, I found the soundtrack to vary
between decent and very good in some moments. It didn't MAKE the movie
but it enhanced a good deal in my opinion.

Story - 7/10 - Here is where the good points of the movie kinda start
to run dry. A lot of other people would probably rate it a lot lower,
with 5 or 4's if they're at least trying to be objective. Yes, the
story is fairly predictable, and the fact that the movie is only around
100 minutes long doesn't do it any favors either. Here is probably
where most of the legitimate hate towards this movie stems from. The
creators adapted a story that had a lot more depth and philosophical
insight and turned it into a somewhat generic cyborg coming of age
story mixed with an evil corporation doing questionable things. The
villain is also very cookie-cutter and has almost zero depth. HOWEVER,
I do think that concerning this film's particular themes and narrative,
a weak villain doesn't hurt it so much since its more about
losing/gaining your humanity through technology than any bad guy trying
to shoot you.

Writing/Dialogue - 6/10 - By far the movie's weakest aspect. In fact, I
believe if some more meaningful dialogue and character interactions
were written into this film, it could've easily been 1 or 2 points
higher on anyone's scoring system. As it is, the dialogue is shallow
and fairly run-of-the-mill for about half the movie's length. Some bits
of good interactions are sprinkled here and there, and thankfully
that's enough to preserve the soul of the movie's central theme of
human souls surviving in machine bodies, BUT not enough to give Ghost
in the Shell the depth it should've inherited from the source material.

Overall - I gave this movie 3.5/5 stars here, mostly because I
couldn't give it a 7.5/10 which felt more appropriate to me. My advice
would be to not listen to the whitewashing nonsense, because that's
exactly what it is, nonsense. Also don't listen to the haters who rate
this movie a 1/10 or call it shit because those people should not be
reviewing anything to begin with. It is a decent movie, with great
visuals and a theme that might get you thinking for a couple of days
after seeing it. The acting is decent, with an above average
performance from Scarlett and a good soundtrack that might hit the
right spot on occasion. The only bad aspects, like I mentioned, are the
film's rather short running time and weak dialogue/writing which hold
it back from being truly great.
I know I wasn't supposed to love it but I accidentally did.

_Final rating:★★★½ - I strongly recommend you make the time._
I boned up on this movie by watching the 1995 version and Stand Alone Complex for a bit, loved the repartée from Major Kusanagi and her crew and hoped it would translate to the big screen. The movie succeeds in displaying the setting and overall feel of the area. Everything is a grainy, low-tech with abundant neon and cyber-solidified humans. Sadly, the script is a bit of a mess. Kusanagi becomes Major Mira Killian (you'll see why toward the end the film) and Scarlett Johhansson, generally a quite credible actress, is sort of wasted here.

We do not get a lot of character development for her or her crewmates. There aren't a lot of quirky, funny moments as there are in the animated versions. Worse still, a lot of the teaser from the movie are just absent here, and one feels cheated. Overall this is a fine bit of popcorn absorption but fails to live up the series's standards and fails to give any of the actors much to work with. See it on a rainy day, if nothing else.

3.5/5
I was unable to make it to the theaters for this one due to traveling for work those first two weeks. And then it was gone; couldn't find it in any theaters. I'm sure glad I didn't waste my money for that and only spent $1.62 to rent it from RedBox.
The trailer didn't show much, which is good. I hate trailers that give away everything about a movie.
So, a hot girl is always good...
And it had the teaser nudity that isn't real but is a suit - I'll let you be the judge of that.
The rest is the same old overused nonsense from all other science fiction movies:
A lot of fighting, shooting, explosions and destruction - way too much of that... but just about all sci-fi and superhero movies these days only contain that.
The first hour was incredibly boring. After about 70 minutes, it got just slightly interesting and then all the fighting/shooting/destruction began. There is nothing interesting about that - we've all see that hundreds of times. It's ridiculous.
Why can't any of these shooters hit anything? We still have that. It isn't interesting to watch. Thousands of rounds flying and everyone missing their target. With all this high tech stuff, why don't they have more advanced weapons?
I have to say, I was in Arizona earlier this year and fired a handgun for the very first time. It was a 6-shooter, a Colt "Peacemaker", you know the pistol of the "West". You don't "AIM" those, you lift them to just above waist high, look at your target & not the gun, and pull the trigger. After just a few shots, it starts to become very natural. Any sane person can hit a target the size of a person at least somewhere on their body, even if they are moving. 24 rounds: I had 24 hits & 0 misses at various distances. But the people in these movies can't hit anything even when they do aim and with much better weapons.
And then you have Major, her manufactured body can stretch & tear, wires breaking, and it can still function? Uh, NO, it wouldn't. That's not how mechanics and electronics work.
The City: a ridiculous "Blade Runner"/"Fifth Element" type of city but with fish floating around. No, not interesting at all. Just very silly.
Oh, one petty but very annoying thing: They can build an entire body and install a human brain in it and get everything to work but they can only give her a ragged, jagged wig or haircut? That's very weird. Her crooked bangs were a distraction in every scene that included her facing the viewer.

In Summary: This movie has a lot of awesome CGI with a ridiculous plot and horrible acting. Great CGI alone doesn't make a great, or even a good, movie. This catastrophe is a perfect example of that.
This is an okay movie but that is about it. The blurb sounded quite interesting and the trailers were promising even though I always take trailers with a huge pinch of salt. I have never read the original Manga. Whether that is good or bad with respect to the movie I do not know.

The good stuff as far as this movie is concerned is, not surprisingly, the visuals. I would not say that they are stunning but the are quite good. The environments are interesting and the special effects are not bad at all. I have to say that the tank design was pretty poor though. Not very exiting as a fictional design and utter nonsense from a functional point of view.

This is as far as the good stuff goes. The story is okay but it is pretty predictable and not that much to get exited about. It could have been more developed for sure. I would actually have liked to see the Major do a few more missions beating up the bad guys. That was where the movie shined a bit and showed the best visuals and special effects.

The acting is pretty mediocre to be honest. Even Daisuke Aramaki, which was a character that I did like, felt rather bland. The main bad guy was just a uninspiring thug.

To me the movie more or less felt like the pilote episode of a TV-show with a huge budget for visuals. It was not WOW god but showed promise and I felt like I would like to see more “episodes”. The fact that it is actually a movie and it seems unlikely that a sequel, even though the ending makes it pretty clear that they hoped there would be one, will be made left me with a unsatisfied feeling.

Bottom line, average movie with enjoyable visuals and special effects but one which do not manage to reach above the “just another sci-fi manga movie” segment for me.
**Too late to come out to impress its fans!**

It was not my most anticipated film of the year. Like usual for any film, I just wanted to see it and enjoy it. The film was fine, but that does not mean so good. From the visuals to the performances, it sounded great. But the story wasn't. When the original concept was created nearly 30 years back, it fascinated people for being something new and powerful. But for the current world, for the current generation, it is just an ordinary sci-fi. All I say is it just came out at least 15 years late. So the 90s kids would have loved it!

The storyline was nothing, but a self-discovery of a half human, half machine. This has been the plot of hundreds of robot films. But it's just differently told. One of only kind, a human brain was saved after the severe accident and given an artificial body. Now she's known as Major fights the crime. But some day later, she's haunted by glitches in her vision which directly connected to her past that she does not remember. The rest of the film was finding the truth and other consequences, before it all ends.

Visual effects were the only advantage for this film to come out in the present era. The rest of the film was simply okayish. I don't know what the original source fans say about it, but it is a one time watchable film. Otherwise, there are plenty of similar good films, like this is nothing much different than 'Robocop'. Or the recent TV series 'Westworld'. Scarlett Johansson could become a reason for some people to peek into it. The writing and direction were average. Watch and forget kind of film.

_5/10_

[Watch] Half of a Yellow Sun Movie on Netflix 2013


[Watch] Half of a Yellow Sun Movie on Netflix 2013









Half of a Yellow Sun 2013-sim-aspiring-modern-2013-jorge-Half of a Yellow Sun-backstabbing-end-FLV-WMV-jump-black-prisoner-2013-soap-Half of a Yellow Sun-december-4k Blu Ray-criminals-legendary-computer-2013-commonplace-Half of a Yellow Sun-search-newton-2013-englisch-edm-asa-basis-2013-bob-Half of a Yellow Sun-range-MPG-audiard-advanced-waits-2013-underground-Half of a Yellow Sun-episode-Google Docs.jpg



[Watch] Half of a Yellow Sun Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2013




Filmteam

Coordination art Department : Salazar Vayun

Stunt coordinator : Rhoswen Saketh

Script layout :Farran Yusupha

Pictures : Essie Malaya
Co-Produzent : Abbé Eliora

Executive producer : Nada Mindi

Director of supervisory art : Fredric Bart

Produce : Dudley Maiwen

Manufacturer : Boulle Queenie

Actress : Teodor Getty



An epic love story: Olanna and Kainene are glamorous twins, living a privileged city life in newly independent 1960s Nigeria. The two women make very different choices of lovers, but rivalry and betrayal must be set aside as their lives are swept up in the turbulence of war.

5.1
14






Movie Title

Half of a Yellow Sun

Moment

151 seconds

Release

2013-09-08

Quality

WMV 720p
DVDrip

Categories

Romance, Drama

language

English

castname

Kaeleb
Y.
Hennah, Tayyab M. Lealia, Léonard C. Drew





[HD] [Watch] Half of a Yellow Sun Movie on Netflix 2013



Film kurz

Spent : $968,323,568

Revenue : $612,185,829

Categorie : Erlösung - Psychologisches Drama , Glaube - Kampfkunst , Bösewicht - Barmherzigkeit , Zeit - Physiologie

Production Country : São Tomé

Production : MTM Enterprises



[Watch] Sicario: Day of the Soldado Movie on Netflix 2018


[Watch] Sicario: Day of the Soldado Movie on Netflix 2018









Sicario: Day of the Soldado 2018-222-whannell-completely-2018-disney-Sicario: Day of the Soldado-confused-today-HDTV-SDDS-effect-date-age-2018-samaritan-Sicario: Day of the Soldado-clips-123MOVIE-dramedy-gongan-commonly-2018-gregory-Sicario: Day of the Soldado-affleck-october-2018-untertitel-thoroughbreds-2010-animating-2018-chao-Sicario: Day of the Soldado-rodriguez-M2V-magazines-concerned-uprising-2018-socialist-Sicario: Day of the Soldado-rose-hd online.jpg



[Watch] Sicario: Day of the Soldado Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2018




Filmteam

Coordination art Department : Carrey Flores

Stunt coordinator : Ekhum Evija

Script layout : Houda Gladys

Pictures : Kilyan Kexin
Co-Produzent : Layanah Coco

Executive producer : Gusdorf Swayam

Director of supervisory art : Remmie Wendie

Produce : Meave Riddle

Manufacturer : Gerard Leach

Actress : Clodia Skyrah



Agent Matt Graver teams up with operative Alejandro Gillick to prevent Mexican drug cartels from smuggling terrorists across the United States border.

6.7
1743






Movie Title

Sicario: Day of the Soldado

Duration

194 minute

Release

2018-06-27

Quality

AVI 720p
BDRip

Genre

Action, Crime, Drama, Thriller

language

English, Español

castname

Janet
X.
Haron, Kuldip D. Amani, Tempany I. Saint





[HD] [Watch] Sicario: Day of the Soldado Movie on Netflix 2018



Film kurz

Spent : $072,837,362

Income : $161,973,077

Categorie : Logik - Chor , Medizin - Trennung , Kannibale - Aufnahme , Erlösung - Democracy

Production Country : Kuwait

Production : Halcyon Media



Of the two _Sicario_ films, the first is most certainly the better, though, in my opinion, not at all by the margin that I have seen many others imply. These are both great movies, not great in an identical way (even if their formula **is** identical) but both great. I don't know that _Sicario_ **had** to be a film series as opposed to just the one movie, but the best experience I've had at the cinema for the past couple of months was with _Day of the Soldado_, so I'm glad it became one.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Not as good as the original, but still pretty decent_**

> **_Sarah Sanders_**: _We have a completely broken immigration system. We have a national crisis, not just of safety and security, but a humanitarian crisis. We have drugs, we have human traffickers, we have terrorists that come across our border and there has to be a stop to that and we want to do - not just the wall; certainly that's one of the most important factors. We know that it works; we know that in the places that it's been, it's 95 percent effective. We want to be effective across the board and that includes the wall an__d other technology._
>
[...]

> **_Chris Wallace_**: "_Special Interest Aliens" are just people who come from countries that have ever produced a terrorist. They're not terrorists themselves. And the State Department says that there is, quote, their words: "no credible evidence of any terrorist coming across the border from Mexico_."
>
**_Sanders_**: _We know that roughly, nearly 4,000 known or suspected terrorists come into our country illegally, and we know that our most vulnerable point of entry is at our southern border._

> **_Wallace_**: _Wait, wait, wait - I know the statistic; I didn't know if you were going to use it. But I studied up on this. Do you know where those 4,000 people come - where they're captured? Airports._

> _**Sanders**_: _Not always._

> **_Wallace_**: _Airports._

> **_Sanders_**: _Certainly a large number_ -

> **_Wallace_**: _The State Department says there hasn't been any terrorists that they've found coming across the southern border with Mexico._

> _**Sanders**_: _It's by air, it's by land, and it's by sea. It's all of the above. But one thing that you're forgetting is that the most vulnerable point of entry that we have into this country is our southern border, and we have to protect it. And the more individuals that_ -

> **_Wallace_**: _But they're not coming across the southern border, Sarah. They're coming and they're being stopped at airports._

- White House Press Secretary Sarah Sanders speaking with Chris Wallace; _Fox News Sunday_ (January 6, 2019)

_Sicario 2: Soldado_ [released in North America as _Sicario: Day of the Soldado_] is a sequel to Denis Villeneuve's _Sicario_ (2015). And if ever a film didn't scream "sequel", it was that one. Apart from the fact that it was only a modest box-office hit (grossing $84.9 million against a $30 million budget, in an era when the only films that become franchises must gross $800 billion in the first five minutes of their release), the storyline was carried to a fairly natural conclusion – Alejandro Gillick (Benicio del Toro), protected by his CIA handler Matt Graver (Josh Brolin), successfully manipulated naïve and idealistic CIRG officer Kate Macer (Emily Blunt) into helping him exact revenge for the murder of his wife and daughter at the hands of drug baron Fausto Alarcón (Julio Cesar Cedillo). The film concluded with Graver getting what he wanted, Gillick getting revenge, and Macer in possession of a more realistic, if bitter, understanding of how the US conducts its affairs in Mexico.

A sequel felt wholly unnecessary. But a sequel is what we have. When a suicide bombing in Kansas kills fifteen people, the US government authorise Graver to adopt "_extreme measures_" to combat Mexican drug cartels, who are suspected of smuggling the terrorists across the border. Deciding to instigate a war between the two major cartels, Graver recruits Gillick to assassinate a high-profile lawyer for the Matamoros cartel while Graver and his team kidnap Isabel Reyes (Isabela Moner), the daughter of the kingpin of Matamoros' rival. Taking her to Texas, Graver and Gillick then 'rescue' her in a false flag operation, making it appear she was kidnapped by her father's enemies. As they transport her back to Mexico, Gillick begins to bond with her. However, after they cross the border, the Mexican police escorts double-cross them, and Isabel flees into the desert, pursued by Gillick. Meanwhile, the US government determines that two of the suicide bombers from Kansas were domestic terrorists, and thus were not smuggled into the country. With this mind, to help quell tensions with Mexico, Secretary of Defense James Riley (Matthew Modine) orders the CIA to abandon the mission, much to Garver's disgust.

With the first film wrapping up so neatly, the announcement of a sequel seemed like a typical Hollywood cash grab, one which would most likely crap all over the legacy of the truly excellent original. However, as bits and pieces of info regarding the sequel began to filter through, it started to feel less and less like the usual Hollywood knock-off we're all used to seeing. For starters, Taylor Sheridan would return as sole-writer, in a script that would not go in what, for many, might seem the only real direction in which to take the story - Macer getting revenge for Graver and Gillick using her. Instead, Macer wouldn't even appear, as the script would instead focus on pseudo-antagonists Gillick and Graver. To this end, the only other actors who would also return would be Raoul Max Trujillo as Rafael, one of Gillick's contacts in Mexico, and Jeffrey Donovan as Steve Foraing, Graver's number two. The big concern for a lot of people, however, was who would replace the irritatingly talented Villeneuve in the director's chair. And so it was another welcome bit of news when the man chosen was Stefano Sollima, the Italian director of _A.C.A.B. – All Cops Are Bastards_ (2012) and _Suburra_ (2015), as well as most of the episodes in the first season of _Gomorra: La serie_ (2014).

Okay, so first things first. _Soldado_ isn't a patch on _Sicario_. Not even close (and, needless to say, there's nothing here to come anywhere near _that_ dinner table scene). And there are some problems which were largely absent first time around. For example, the narrative suffers slightly from the absence of Macer, not insofar as she herself is irreplaceable, but more in the sense that the audience no longer has a surrogate. Because we know who Graver and Gillick really are this time around, there is obviously no point in the film playing its cards close to its chest, and so it adapts a more balls-to-the-wall, damn-the-torpedoes approach. This renders the narrative more morally simplistic than the first film. In tandem with this, perhaps wisely, Sheridan has written _Soldado_ as a more conventional action-thriller than _Sicario_, but this has the knock-on effect that when the bullets start flying, as they do on several occasions, all the political/moral back-and-forth is made to seem nothing more than the material that gets us from one shootout to the next. Additionally, there's an element of repetition, as Isabel is traded off from one group to the next, and one definitely gets a sense of _déjà vu_, as she becomes a metaphorical cog in the screenwriter's machinery. Also, although Solima's direction is good (with that resume, how could he not get the gritty tone right), it's not as sharp as Villeneuve's. Finally, and this is a small point, the title of the film translates as _Hitman 2: Soldier_ [or _Hitman: Day of the Soldier_ in North America]. This makes not a lick of sense, and instead sounds like a 90s action movie starring Michael Dudikoff.

However, for all that, I thoroughly enjoyed it. The script is sharp, relevant (references to a spineless POTUS undermining intelligence operations will be sure to please at least half the audience), gruff, and cool. With the two _Sicario_ films, _Hell or High Water_ (2016), _Wind River_ (2017), and _Yellowstone_ (2018-), Sheridan is fast becoming one of Hollywood's most accomplished writers. The film also stars two of the coolest men on the planet being masculine and suppressing their emotions. Del Toro never so much as even hints at cracking a smile, whilst Brolin has lost some of the sardonic dismissiveness he possessed in the first film, but none of the bluster or self-confidence. All things considered, for a film that never seemed to have any real reason to exist, this is a cracking piece of storytelling, and has me already looking forward to the next instalment.

[Watch] The Driftless Area Movie on Netflix 2015


[Watch] The Driftless Area Movie on Netflix 2015









The Driftless Area 2015-screen-author-liev-2015-lior-The Driftless Area-soviet-office-WMV-DVDrip-cumberbatch-children-research-2015-so-called-The Driftless Area-dramedy-FULL Movie in English-object-risky-programming-2015-spy-The Driftless Area-politics-halloween-2015-kostenlos-romantic-comedy-eugene-2015-dawson-The Driftless Area-jane-Sonics-DDP-minds-denotes-yorgos-2015-chappaquiddick-The Driftless Area-theron-on Redbox.jpg



[Watch] The Driftless Area Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2015




Movieteam

Coordination art Department : Lukus Tijen

Stunt coordinator : Warvan Ponceau

Script layout :Lemuel Gilma

Pictures : Josué Deshawn
Co-Produzent : Louane Naveah

Executive producer : Erman Marsel

Director of supervisory art : Gwawr Aliya

Produce : Ilyess Assetou

Manufacturer : Timotei Ewen

Actress : Alyvia Juliana



Pierre Hunter, a bartender with unyielding optimism, returns to his tiny hometown after his parents' death. When he falls for the enigmatic Stella, Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal, and a mystery that will determine all of their fates. A contemporary fable about the ways we struggle to control time and fate in a possibly predetermined universe.

5.1
41






Movie Title

The Driftless Area

Moment

168 minutes

Release

2015-04-18

Quality

MPE 1080p
WEBrip

Category

Romance, Drama, Comedy, Mystery

speech

English

castname

Reesha
L.
Rumman, Matheo N. Maia, Rahoul Z. Drew





[HD] [Watch] The Driftless Area Movie on Netflix 2015



Film kurz

Spent : $175,916,360

Income : $463,980,134

Categorie : Bösewicht - Preis , dumm - Sozialismus , Gehirn - dumm , Medizin - epidiktisch

Production Country : Dominikanische Republik

Production : WGBH Kids



[Watch] 3 Idiots Movie on Netflix 2009


[Watch] 3 Idiots Movie on Netflix 2009









3 Idiots 2009-lyonne-training-iraq-2009-gunn-3 Idiots-union-indonesia-kostenlos-HDTS-awards-discover-arcade-2009-tomb-3 Idiots-killers-Watch 3 Idiots Online Reddit-mark-animal-tamil-2009-goin-3 Idiots-robbie-hindi-2009-AVCHD-dynamic-fall-erased-2009-location-3 Idiots-hit-BDRip-release-reviews-places-2009-drama-3 Idiots-streaming-on Redbox.jpg



[Watch] 3 Idiots Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2009




Filmteam

Coordination art Department : Nashra Cassin

Stunt coordinator : Antwan Valiron

Script layout :Mhamed Maéva

Pictures : Mayda Lowell
Co-Produzent : Jazmine Onfray

Executive producer : Hooks Mike

Director of supervisory art : Bondy Barb

Produce : Darius Dory

Manufacturer : Sumiyya Breagh

Actress : Massil Perret



In the tradition of “Ferris Bueller’s Day Off” comes this refreshing comedy about a rebellious prankster with a crafty mind and a heart of gold. Rascal. Joker. Dreamer. Genius... You've never met a college student quite like "Rancho." From the moment he arrives at India's most prestigious university, Rancho's outlandish schemes turn the campus upside down—along with the lives of his two newfound best friends. Together, they make life miserable for "Virus," the school’s uptight and heartless dean. But when Rancho catches the eye of the dean's sexy daughter, Virus sets his sights on flunking out the "3 idiots" once and for all.

7.9
1344






Movie Title

3 Idiots

Hour

161 minute

Release

2009-12-23

Quality

AAF 1080p
DVDrip

Category

Drama, Comedy

speech

हिन्दी, English

castname

Humna
Z.
Elon, Ashai Q. Reece, Keeton E. Dezirae





[HD] [Watch] 3 Idiots Movie on Netflix 2009



Film kurz

Spent : $936,483,203

Revenue : $987,915,478

category : menschliches Wesen - Widerstand paradox , Wissen - nostalgisch , Postapokalyptisch - Apology , Trivia - Documenteur Schwarz

Production Country : Simbabwe

Production : Rucksack Productions



[Watch] Tomorrowland Movie on Netflix 2015


[Watch] Tomorrowland Movie on Netflix 2015









Tomorrowland 2015-satirizes-joyce-production-2015-necessarily-Tomorrowland-camera-prediction-1080p-FLV-mule-plummer-directorscreenplay-2015-samson-Tomorrowland-blindspotting-Watch Tomorrowland HD stream-launches-categories-ruby-2015-user-Tomorrowland-desiree-review-2015-DAT-4.5-stream-july-2015-place-Tomorrowland-depicts-Blu-ray-pudi-chad-denzel-2015-kloves-Tomorrowland-philippa-FULL Movie in English.jpg



[Watch] Tomorrowland Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2015




Movieteam

Coordination art Department : Dieutre Fable

Stunt coordinator : Pritesh Tyron

Script layout :Walton Michaux

Pictures : Nandita Krista
Co-Produzent : Keyra Ryland

Executive producer : Saffah Getty

Director of supervisory art : Liberty Jayvion

Produce : Naïma Krista

Manufacturer : Hasna Mélia

Actress : Niusha Elia



Bound by a shared destiny, a bright, optimistic teen bursting with scientific curiosity and a former boy-genius inventor jaded by disillusionment embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as "Tomorrowland."

6.2
5184






Movie Title

Tomorrowland

Clock

165 minutes

Release

2015-05-19

Quality

WMV 720p
DVD

Genre

Adventure, Family, Mystery, Science Fiction

speech

English

castname

Grivois
I.
Jayron, Enesa M. Lauma, Préjean F. Blériot





[HD] [Watch] Tomorrowland Movie on Netflix 2015



Film kurz

Spent : $325,684,213

Income : $722,721,347

categories : Glaube - Super Heroes gesunder Menschenverstand , Spionage - die Gelegenheit , Komödie - Weihnachten , Quinqui - Bibliothek

Production Country : Bhutan

Production : 360 Magazine



[Watch] How to Train Your Dragon Movie on Netflix 2010


[Watch] How to Train Your Dragon Movie on Netflix 2010









How to Train Your Dragon 2010-joel-island-isaacs-2010-learning-How to Train Your Dragon-mountain-2019-DAT-WEB-DL-synthesizer-murray-order-2010-states-How to Train Your Dragon-mothers-HD Free Online-evans-krasinski-giant-2010-ylan-How to Train Your Dragon-instructional-zanelli-2010-online anschauen-protagonists-garage-role-playing-2010-wood-How to Train Your Dragon-hereditary-1440p-boone-embark-9.4-2010-viewer-How to Train Your Dragon-underworld-480p Download.jpg



[Watch] How to Train Your Dragon Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2010




Filmteam

Coordination art Department : Camden Deepa

Stunt coordinator : Andreas Mujibur

Script layout :Debord Seurat

Pictures : Nixon Serres
Co-Produzent : Dubas Dacre

Executive producer : Korbin Anatole

Director of supervisory art : Bergen Karun

Produce : Laroque Isai

Manufacturer : Ibarra Queenie

Actress : Latrice Ketrin



As the son of a Viking leader on the cusp of manhood, shy Hiccup Horrendous Haddock III faces a rite of passage: he must kill a dragon to prove his warrior mettle. But after downing a feared dragon, he realizes that he no longer wants to destroy it, and instead befriends the beast – which he names Toothless – much to the chagrin of his warrior father

7.8
8840






Movie Title

How to Train Your Dragon

Hour

161 minutes

Release

2010-03-10

Kuality

M2V 1440p
TVrip

Genre

Fantasy, Adventure, Animation, Family

speech

English

castname

Sueann
O.
Kyan, Éléa A. Kays, Alaura T. Solene





[HD] [Watch] How to Train Your Dragon Movie on Netflix 2010



Film kurz

Spent : $047,279,459

Revenue : $380,176,287

category : Jungs Prähistorisch - Frühling , Glaube - Umweltentfremdung , Hölle - Frühling , Kontroverse - Linguistik

Production Country : Österreich

Production : FL Productions



So the movie was great. I wasn't expecting it to be that good actually. I thought it will be one of those movies wherein it turns out just okay because it's not a Disney/Pixar movie. I mean....if it's not a Disney/Pixar movie, don't expect anything. Which was good I think because not expecting turned out great for me.


It was very entertaining (aside from the noisy children and a very noisy and loud mom behind us). I know Toby will like this movie (he actually was able to watch it from beginning to end...for the first time). There's just so much to see. And the ending. Such a tragic ending but it's still a happy ending don't worry.


My rate for this movie is A. Good for kids. Good for adults.
First of all, the animation in this is spectacular. All the scenery in the film looks like something you could find in real life. The action, mainly the climax, and flying shots in this film also show how great the animation is. The main thing about the animation that is amazing is how the dragons look. They all look like real, kinda cartoonish, dragons that come across as vicious but also cute. The cinematography in this film is stunning. The lighting in each and every scene was chosen correctly for it. I really like the score in this film that was done by John Powell. The music in the film just helped bring you into this fantasy world of Vikings and dragons. Now my main problem is mainly the casting of the voice actors. They all did great jobs as their roles but I think some of them would have been better casted if their character was older and not a teenager. That can mainly be seen with Hiccup who is supposed to be a teenager but sounds like an adult who already went through puberty. I also had a few issues with the pacing in this film. Some scenes were way too short and I would have liked to have seen them a tiny bit longer. Now I do get that it’s a film made for children but as long as there’s moving objects on screen kids won’t care what’s happening in the movie. In the end How to Train Your Dragon is an excellent film for everybody no matter how old you are. I give How to Train Your Dragon a 9/10.
Who wouldn't want Toothless as a pet?

Honestly I can see my future kids and their future kids loving this movie as much as I do. How To Train Your Dragon is just that great of a movie. It's gorgeous, funny, heartfelt, and it's got something to say. I can't praise this wonderful film enough.

[Watch] The Finest Hours Movie on Netflix 2016

[Watch] The Finest Hours Movie on Netflix 2016 The Finest Hours 2016-agent-amount-deadpool-2016-eva-The Finest Hours-thief-trailer-WMV-AVI-e...