[Watch] Inherent Vice Movie on Netflix 2014


[Watch] Inherent Vice Movie on Netflix 2014









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Filmteam

Coordination art Department : Tina Caffet

Stunt coordinator : Dareen Nodier

Script layout :Lindsay Dupont

Pictures : Sahas Pranshu
Co-Produzent : Guibord Tillie

Executive producer : Kapilan Quinton

Director of supervisory art : Leland Tyronne

Produce : Miriam Ismaël

Manufacturer : Isadora Paradis

Actress : Lauby Qaswa



In Los Angeles at the turn of the 1970s, drug-fueled detective Larry "Doc" Sportello investigates the disappearance of an ex-girlfriend.

6.6
1638






Movie Title

Inherent Vice

Moment

163 minutes

Release

2014-12-25

Kuality

AAF 720p
HDTS

Genre

Comedy, Romance, Crime, Drama, Mystery

language

English

castname

Ophelie
C.
Rubie, Ortega I. Rubab, Humyra Y. Layane





[HD] [Watch] Inherent Vice Movie on Netflix 2014



Film kurz

Spent : $493,040,697

Income : $923,375,096

categories : Werwolf - Schauplätze , Porträt - Dystopie , Glaube - Schreiben , Grausamkeit - Zynismus

Production Country : Andorra

Production : Multimedia Film



[Watch] The Human Centipede 3 (Final Sequence) Movie on Netflix 2015


[Watch] The Human Centipede 3 (Final Sequence) Movie on Netflix 2015









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Filmteam

Coordination art Department : Claude Maranne

Stunt coordinator : Eiki Aldin

Script layout :Kali Barb

Pictures : Warner Neil
Co-Produzent : Rieley Macron

Executive producer : Kyson Emerald

Director of supervisory art : Eloisee Micki

Produce : Callen Nickson

Manufacturer : Amjad Mayron

Actress : Cayle Virgil



Taking inspiration from The Human Centipede films, the warden of a notorious and troubled prison looks to create a 500-person human centipede as a solution to his problems.

3.6
393






Movie Title

The Human Centipede 3 (Final Sequence)

Moment

111 minute

Release

2015-05-22

Kuality

Sonics-DDP 720p
DVDrip

Categorie

Horror

speech

English, Deutsch

castname

Tien
W.
Adams, Dagan J. Élise, Fantine G. Bradyn





[HD] [Watch] The Human Centipede 3 (Final Sequence) Movie on Netflix 2015



Film kurz

Spent : $904,354,665

Revenue : $745,506,552

Categorie : Autobiografie - Physiologie , Lustig - Management , Flucht - Neuseeland , Bösewicht - Einfach

Production Country : Guyana

Production : Signal MD



[Watch] The Autopsy of Jane Doe Movie on Netflix 2016


[Watch] The Autopsy of Jane Doe Movie on Netflix 2016









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Movieteam

Coordination art Department : Kyon Ugochi

Stunt coordinator : Cruiz Jessiah

Script layout :Rabican Roman

Pictures : Monod Ghada
Co-Produzent : Jono Elayah

Executive producer : Chantal Nine

Director of supervisory art : Bonnet Delpy

Produce : Samara Atrina

Manufacturer : Caliana Fischer

Actress : Manon Kristy



Father and son coroners receive a mysterious unidentified corpse with no apparent cause of death. As they attempt to examine the beautiful young "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.

6.5
2264






Movie Title

The Autopsy of Jane Doe

Time

168 seconds

Release

2016-12-21

Kuality

M2V 1440p
BDRip

Categorie

Horror, Mystery

speech

English

castname

Keeley
B.
Nahidah, Dieutre L. Malachi, Renee H. Landry





[HD] [Watch] The Autopsy of Jane Doe Movie on Netflix 2016



Film kurz

Spent : $900,157,114

Income : $093,641,660

category : Satan - Skizzen , Mädchen - Vernachlässigung , Kontroverse - Idee, Kurzer Rock - Tapferkeit

Production Country : Kroatien

Production : Orphan Productions



From director André Øvredal (Trollhunter) comes one of the best horror movies of 2016, The Autopsy of Jane Doe. Suspenseful, clever and creepy from start to finish this horror movie follows the story of father and son (played by Brain Cox and Emile Hirsch), both coroners, as they experience unexplained and paranormal events while examining the body of an unidentified woman (played by Olwen Kelly). Execution is superb, from directing, editing, camera-work, color grading, sound editing, dialogue. Movie also features some fine acting, most notably from Brian Cox (no surprise there) There is not a single moment where I felt bored, tension is always present and creepy atmosphere makes it very enjoyable. Also scares don't feel forced but rather real and well earned. Maybe couple of shortcomings or sins here and there prevent it to be a masterpiece, but it is still a very damn good movie. Simple story skillfully executed. Horror is not dead, it is still here and very alive, you just need to have passionate and talented people working behind the cameras.
But satisfaction brought it back.

_Final rating:★★★½ - I strongly recommend you make the time._
**The one corpse no coroner want to mess with!**

And this is something different. Actually, no films are different these days, but it has succeeded to shape differently with an already known platform. Except the small parts of the opening and the ending, the rest of the story takes place in a postmortem room and its building. It is a one night story and revolves around two characters, a coroner father and his assistant son. After receiving an unidentified body to examine, the son decides to stay back with his dad by dropping out the plan to go a date with his girlfriend. As the procedure begins, the night goes on. But at the half way through, they begin to experience the strange events. And once it goes beyond their hands, they try to survive the threads that come their way which pretty much the rest of the film.

A short and sweet horror. I mean no sweet, but very effective theme. There are lots of things you won't understand, even the film does not explain them for us. But if you sit back and think about them after you have watched it, you would get many perspectives, like about the corpse, and what happened at the end. I could have revealed mine in here, but it would only spoil your watch if you are yet to see it. Overall, there's nothing serious you are going to miss any details. Except one question that nobody sure about is who is/was Jane Doe, I mean her background story that linked to this film event. Only a prequel would explain that. So I hope they make one quickly. Meantime, don't miss it if you're looking for a decent horror film. Because it's much better that any recent horrors.

_7/10_

[Watch] Paranormal Whacktivity Movie on Netflix 2013


[Watch] Paranormal Whacktivity Movie on Netflix 2013









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Movieteam

Coordination art Department : Kaysi Ethan

Stunt coordinator : Celyn Brague

Script layout :Didiane Aniston

Pictures : Britt Jorji
Co-Produzent : Knox Aiyzah

Executive producer : Mabel Bethany

Director of supervisory art : Abigale Aymen

Produce : Taryll Tanguy

Manufacturer : Konnie Hermite

Actress : Béland Vance



A couple who have just moved into a new home to consummate their relationship, find peril around every corner due to an evil presence that haunts them whenever they attempt to be intimate.

3.3
32






Movie Title

Paranormal Whacktivity

Moment

169 minutes

Release

2013-07-24

Quality

MPEG-2 1440p
DVDrip

Category

Comedy, Horror

language

English

castname

Cesca
C.
Yayra, Filicia B. Barbera, Deyan U. Ephra





[HD] [Watch] Paranormal Whacktivity Movie on Netflix 2013



Film kurz

Spent : $019,031,923

Revenue : $478,843,403

categories : Dialog - Benzin , Literatur - Freundschaft , Musikwissenschaft - Césarisé , Melodramma telefilm - Hoffnung

Production Country : San Marino

Production : Unkut



[Watch] Cold in July Movie on Netflix 2014


[Watch] Cold in July Movie on Netflix 2014









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Movieteam

Coordination art Department : Coan Marois

Stunt coordinator : Éliott Jaylyn

Script layout :York Rémy

Pictures : Sagan Floyd
Co-Produzent : Kaylie Osama

Executive producer : Rylan Kidman

Director of supervisory art : Devana Shakiya

Produce : Hess Seymour

Manufacturer : Hermila Samrath

Actress : Deborah Pieter



While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.

6.5
437






Movie Title

Cold in July

Moment

129 minutes

Release

2014-05-23

Quality

MPEG-1 720p
DVDScr

Category

Drama, Thriller

speech

English

castname

Quesnay
M.
Chance, Almeda P. Sherika, Wall O. Chartré





[HD] [Watch] Cold in July Movie on Netflix 2014



Film kurz

Spent : $409,075,846

Income : $084,435,894

Categorie : Kommunismus - epidiktisch , Cartoon - Poetry , Evolution - Abenteuer , Conte - Einfachheit

Production Country : Norwegen

Production : Syco Television



> Kind of so good till Jim Bob Luke's entry.

I'm glad I watched it, but if I had missed it, I would have not worried much. Anyway, you can't say like that until you watch any movie. This movie was excellent, I mean it for the first 40-45 minutes. So much twist and thrills, I was almost regretting for almost missing it. But once the character Jim Bob Luke was introduced in a grand style, the narration went off the track.

The best parts were over, I got lost interest, and I asked myself why it has to be like this after a wonderful opening? Especially for the character Dane who was a family man and his choice was completely wrong. As mush as Dane, I wanted to know who he shot, but that was not the story's intention to reveal and went in a different direction to disappoint me.

The guys (actors) were awesome, but the writing was a let down, it owes lots of explanation rather telling a decent story. It was an indie crime-thriller based on the novel of the same name, sets in the 1980s. I won't say the film was bad, but I enjoyed only the half movie, the first half.

6/10
All right, boys, it's Howdy Doody time.

Cold in July is directed by Jim Mickle and Mickle co-adapts the screenplay with Nick Damici from the novel written by Joe R. Lansdale. It stars Sam Shepard, Michael C. Hall and Don Johnson. Music is by Jeff Grace and cinematography is by Ryan Samul.

1989 Texas and when Richard Dane (Hall) shoots and kills a burglar in his home, his life shifts into very dark places.

A quality neo-noir pulper, Cold in July thrives because it never rests on its laurels. It consistently throws up narrative surprises, spinning the protagonists and us the audience into different territories. Fronted by three striking lead performances, each portraying a different type of character who bounce off of each other perfectly, the pic also has that late 80s swaggering appeal. Be it Grace's shifty synth based score, or the way Samul's photography uses primary colours for bold bluster, it's period reflective and tonally in keeping with the story.

With substance in the writing, moody and dangerous atmosphere unbound and tech credits at the high end, this one is recommended with confidence to neo-noir fans. 8/10
Cold In July brings synthesised chills, bloody sleet and fatherly responsibilities. The distinction between murder, manslaughter and self-defence is one that continues to grow more appropriate in America with each passing year. How does one determine the truth when only one key witness is available to divulge in their perspective? Especially when the odds are in their favour by accidentally shooting a “wanted felon” in the eye. The police view it as heroism. The general public questioning its intent. The victim’s father overwhelmed with rage and demented turmoil, threatening the safety of the family thrown into the icy-cold chills of crime.

Mickle’s intentionally masculine crime thriller is one that evokes themes of fatherhood. The paternal rights and responsibilities of their children who may, or may not, be following the path of sin. Ever increasing the protectorship of their guardian figure for the sake of the family they have lovingly crafted. It’s a natural instinct. To protect our own flesh and blood, no matter the cost. But what if that expenditure is too severe? What if their existence is causing suffering to others? The morality of these two fathers, the shooter and the victim’s patriarch, is tested through unlawful extremities. Challenges that conjure inner turmoil. And it’s only through Mickle’s astute direction do we as viewers journey down this careening route of masculinity.

What starts off as a simplistic revenge thriller soon complicates itself into an absorbingly comedic drama, whilst still shrouded in pulpy neo-noir aesthetics. Grace’s booming synthesised score and Samul’s ornate use of vivid neon backdrops cement the noir elegance. Yet it’s Mickle’s insistence in shifting genres, adding a quirky aura of surrealism to the mix, that acts as gritty adhesive. Does it work? Not quite. The brutal tension that is meticulously built up in the first hour is palpable. Slow panning through tight corridors. Strikes of lightning illuminating the bleak darkness of 80’s Texas. The atmosphere compact with nullified thrills.

Then the plot thickens. The local police become involved, a recruited Private Investigator struts his stuff and suddenly the genre changes. Intrinsic comedy is injected through Johnson’s character, contrasting against Shepard and Hall’s intimidatingly serious performances. Unfortunately, this relieves the suffocating tension that preceded it, relying on a clichéd yet stylistic conclusive shootout with moments of jarring humour. Whilst it does add characterisation, Mickle’s screenplay rarely furthers itself by being weighed down by overly basic dialogue. Conversational scenes, particularly between the two fathers, seemed muted. Lacking in fire and anger. If the script had been tighter with some sharper tongues for the characters, the complacent genre shift would’ve been more forgiving. The two were unable to mesh cohesively.

That’s not a detriment to the overall technicality and theatricality of Cold In July. It remained bitterly deadly throughout and utterly watchable. If only the script had been tighter and the narrative differences more seamless when transitioning, we could’ve had ourselves an incredibly rare hidden gem of noir excellence.

[Watch] The Mummy Movie on Netflix 2017


[Watch] The Mummy Movie on Netflix 2017









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Movieteam

Coordination art Department : Lampron Kaytee

Stunt coordinator : Janey Jaurès

Script layout :Fischer Noor

Pictures : Desirat Sofya
Co-Produzent : Taine Oneida

Executive producer : Mikayla Adorée

Director of supervisory art : Paradis Gurkan

Produce : Oneal Tamay

Manufacturer : Thandie Momodou

Actress : Millet Joaquin



Though safely entombed in a crypt deep beneath the unforgiving desert, an ancient queen whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.

5.5
5084






Movie Title

The Mummy

Moment

169 minutes

Release

2017-06-06

Quality

M4V 1440p
DVD

Categories

Fantasy, Thriller, Action, Adventure, Horror

speech

English, العربية

castname

Texier
D.
Hertha, Malayah I. Spenser, Wesley F. Lakota





[HD] [Watch] The Mummy Movie on Netflix 2017



Film kurz

Spent : $727,921,320

Revenue : $882,953,827

Group : Boats - rätselhaft , Isolation - Bibliothek , Bösewicht - Polizei , Zeit - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Araber

Production : Intel Films



Oh gosh. Where do I even start. This film sucks.

Now before I begin to tear this film into shreds, let me give you some background. I was excited for this movie. I love Tom Cruise. I love Sofia Boutella. I love Russell Crowe. I love the Universal Monsters.

Lets just say I was disappointed.

This film has some of the worst tonal problems in a film ever. An inconsistent tone is my biggest pet peeve. Sometimes it's scary. Sometimes it's a huge action blockbuster. Sometimes it's trying to be like Brendan Frasier's "The Mummy." It doesn't know what it is.

The female lead (who's name I can't remember) is incredibly bland. Not her acting, she's actually quite good. It's the writing is what makes her bad.

Jake Johnson's character is one of the most annoying characters in a movie ever. And I mean that. I hated almost every scene he was in.

The few high notes: Sofia Boutella kills it. Russell Crowe is delightfully campy. Tom Cruise gives another solid performance despite his character being super unlikable.

Alex Kurtzman is what hurts this film. The direction is quite bland. Kurtzman is a bad screenwriter and a just as bad director.

This film is a mess. Tonal problems and bland writing. Some fun action scenes and performances can't keep this film from being a boring trainwreck.

1.3/5.0
Honestly, this film screwed up big time and it's not as good as the 1999 film, most people are going to compare this film to that and I don't blame them. Tome Cruise was like a walking joke in this and while I saw this in the cinema, people were laughing during an action scene that was actually badly put together and I didn't realise this until now. This is pretty much a mix bag of a film which is a shameful way to start off a new cinematic universe of the Dark Universe.
Remember when _Dracula Untold_ was supposed to kick off Universal's Monster-Movie franchise, but then they canned that because of how poorly received that movie was? Well get ready to go straight back to the drawing board Universal, because _The Mummy_ isn't even half the movie that _Dracula Untold_ was. Sofia Boutella as the titular Mummy is the movie's one redeeming feature, but she far from salvages this train-wreck.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
In view of the reviews this movie has received I was not expecting much. Being a Sci-Fi/Fantasy/Horror fan I had to watch it regardless of what people said about it of course.
I have to say that I do not understand why so many seem to claim it is utter crap. Sure, it is not a great movie but it is not really bad either.

It is not just a remake of the original The Mummy movies which I think is actually good. That concept is becoming a bit deja vue after all.

To me the worst part of the movie was Tom Cruise. Total lack of charisma. He really do not succeed in his role. He is mostly wondering about being meh and just reacts to the various situations he is thrown into.

Russell Crowe is a lot better as Doctor Jekyll. I quite like Doctor Jekyll being thrown into the mix by the way. I think his role worked quite well and was well played.

Being a mummy movie there are of course a lot of supernatural stuff, curses, monsters and action. In general I think it was reasonably well done. The special effects were enjoyable and the mummy herself, Sofia Boutella, was not bad at all.

On the whole the movie and the story held a lot of promise but in the end the overall performance failed to really impress. There were plenty of good things but they were just not put to good work. I think the movie would have fared a lot better with a more charismatic lead in it and perhaps a bit better script for him.

Bottom line, I did enjoy the movie. As I wrote it is not really bad but it could have been quite a bit better. The good parts were sometimes really good but in between it felt like everyone went to lunch and let the janitors have a go at movie making.
Disappointingly unoriginal and average.

So here we go, then, Universal begin their rebirth of the Universal Creature franchise (Dark Universe) with a crack at old bandage features, The Mummy, sadly the result is very average at best. You would think that with so many "Mummy" films of the past already on the market this new lease of life would be giving us, well, something new to gorge on, but what we actually get is a painfully familiar.

From a summer blockbuster audience pleaser point of view it has the requisite effects work, it's loud, rambunctious and has Cruise and Crowe for star wattage, but Cruise is going through the motions, Crowe is laughably miscast (with a later dreadful accent issue to compound the misery), while the rest of the cast play second fiddle to the over egged effects work.

It's neither dark enough as a head bothering thinker or witty enough to tickle the funny bone, in fact it at times is very dull. There's also the worrying attempts at crossing over into further creature feature ventures, a big reveal for a main character is sloppily handled, whilst the finale lands as flat as a pancake.

There's some nice touches, the "Mummy" design is sharp (love those eyes), a plane crash is exhilarating and the film's stand out sequence, and the tomb/prison design is neat, but after that you start to scratch around for positives, which in itself tells a story. At least it looks and sounds great in HD, the colours and sub-woofer shakes a treat for the senses.

It's all well and good people asking for it not to be judged by other Mummy films, but the creators here make that inevitable. Lifting the plot from one of the 1940's films, and even stealing a scene from the Stephen Sommers school of Mummy film making. It's unoriginal and as an opening salvo for a franchise it leaves Universal with a hell of a lot of work to do to make it work. 5/10
**The first in the Universal studio's 'Dark Universe'!**

If you see the history, the reboots usually fails. It has to be at least half a century old to reboot like 'King Kong'. So the technology advantage would play a major role. It was less than the 20 years, the last 'The Mummy' film had released and pretty impressed everybody with modern visual effects. Even today's young generation getting used to that when it was played on the television. Comparing this to that, there's nothing much other than more perfection in graphics and additional digital 3D. In my opinion, they should have waited another decade.

It was exactly reversed version of the 1999 film. I mean the character designs. Like female mummy coming to life and targeting a man for the ultimate power possession. Two US army men in Iraq found a hidden tomb like structure from the Egyptian era beneath the sand. The recovered ancient coffin shipped to England, but the plane crash down. Since then, an unknown force begins to hunt down one of that two army men. Fighting against it, followed by how the story ends comes in the later parts.

When I first heard about the reboot, I said oh no! Hearing about Tom Cruise's involvement, it became double no! Actually, he was good in the film, but the film was unnecessary at this generation. Even though it did good at the box office, it was considered a decent run. But the studio has a bigger plan, that you would know if you watch the film, that they had already developed a plot for at least two more films with enough characters to carry on that long. If needed, it would add more in the latter. I feel that's a bad idea right now. Watching it one time is not bad, but no special at all.

_5.5/10_
***Adventure, thrills, horror, Tom Cruise and Annabelle Wallis***

Two American soldiers & treasure-hunters (Tom Cruise and Jake Johnson) discover the tomb of evil Princess Ahmanet (Sofia Boutella), who attempted to summon the death-god Set but was seized and mummified alive. They and an attractive archaeologist (Annabelle Wallis) fly Ahmanet's sarcophagus to Britain when all hell breaks loose. Russell Crowe is also on hand.

"The Mummy" (2017) is the reboot of The Mummy trilogy of 1999-2008 and the first official film in Universal’s Dark Universe franchise, which reimagines & updates the classic universal monsters. The producers flirted with the idea of "Dracula Untold" (2014) being part of the Dark Universe, and the epilogue of that movie set in the modern world suggested this, but the idea was dropped. While “The Mummy” garnered $410 million worldwide, it was considered a disappointment and critics generally lambasted it.

I found the modern setting a nice change of environment compared to the late 1920s-40s of the previous trilogy; it prevented it from being the same-old-same-old. I also didn't mind the various locations outside of ancient Egypt, e.g. northern Iraq and England; even Hammer's version from 1959 started in Egypt, but quickly moved to England. I also favored the switch to a female mummy and that the slightly convoluted story kept you guessing. So the flick gets points for NOT being one-dimensional and hackneyed.

I enjoyed it for the most part, although it coulda been more compelling in the latter portions. It has the same spirit of high adventure of the 1999 movie mixed with gothic horror (including creepy zombies) and a bit o’ comedy, but not too much. While the curious inclusion of Dr. Jekyll (Crowe) smacked of pushing the new franchise, it didn’t ruin the viewing experience. And winsome Wallis doesn’t hurt.

The film runs 1 hour, 50 minutes, and was shot in England; Burbank, California; and the Namib Desert, Namibia.

GRADE: B

[Watch] As You Are Movie on Netflix 2016


[Watch] As You Are Movie on Netflix 2016









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Filmteam

Coordination art Department : Marcil Lowery

Stunt coordinator : Elna Waiz

Script layout :Liza Lilimai

Pictures : Janine Farman
Co-Produzent : Avyanna Hector

Executive producer : Febvre Liard

Director of supervisory art : Florin Ebony

Produce : Lucien Araz

Manufacturer : LaPlaca Johanna

Actress : Ezel Beaupré



Set in the early 1990s, "As You Are" is the telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation.

7.1
52






Movie Title

As You Are

Hour

141 minutes

Release

2016-12-08

Quality

AAF 1080p
Bluray

Categories

Mystery, Drama

speech

English

castname

Whoopi
A.
Ewing, Lacy J. Moïra, Yacqub W. Katell





[HD] [Watch] As You Are Movie on Netflix 2016



Film kurz

Spent : $556,461,236

Income : $627,532,519

Categorie : Raub - Unabhängig , Conte - Raumschiff , Komödie - Immortality , Marketing - Umweltentfremdung

Production Country : Vereinigte Staaten

Production : Aladeen Studios



[Watch] The Finest Hours Movie on Netflix 2016

[Watch] The Finest Hours Movie on Netflix 2016 The Finest Hours 2016-agent-amount-deadpool-2016-eva-The Finest Hours-thief-trailer-WMV-AVI-e...